From iaihiza and as the hips are raised, the left foot should be stoodī. At this point of deflection the body is facing to the left of the shomen.Ī. The kissaki leaves the koiguchi and the right foot moves inside the left foot The above means that the actual deflecting movement takes place just as The drawing up of the sword (nukiage) is actually before the kensakiį. Swung around, and the cut is made in one continuous flowing motionĮ. From the deflection into the cutting of the kesa, the flow of the formshould ensure that the deflection is properly made, the kensen is not When the parry is made, the feet should more or less form an /|(Japanese At the point indicated above, the toes of the left foot should be alignedwith the right kneecap.c. To a position inside the right knee with thetoes pointing outwards slightly.b. ![]() It is important that the left foot fumikomi and nukitsuke is synchronised.(At the point of fumikomi, your body should be correctly facing the enemy)3. The enemy is not sitting directly behind you, theyĪre sitting to the left ofyour shomen.c. ![]() The way in which one stands both the feet onto the toes and ball of thefoot depends on the grade (this is the same for Ipponme – Mae).b. ![]() At this point it has never been taught that you have tobring it to 45 degrees so please do not teach this. Sageo sabaki – use and move the sageo as is appropriate in your koryuAt 8th dan examinations even in the Saho (Reiho) – Closing Reiho Removing the sword – "Move the sword forwards to the right slightly" is written inthe manual but many people push this forwards too much. Picking up the sword – Without stopping, quietly lift the sword to theĬentre andstand it in front of you.
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